Why Community Engagement Matters: A Conversation with A-VOYCE youth Cindy Tsang and ACDC Board President Paul W. Lee

Cindy Tsang, A-VOYCE alum and recipient of the NAAAP Future Leaders Scholarship

Cindy Tsang, a first-generation college student, will be attending Barnard College in the fall as an urban planning major. I was so thrilled to find out that she was a recent recipient of a NAAAP scholarship, which celebrates and recognizes Asian youth who demonstrate a strong commitment to serving the community. 

I met Cindy Tsang last summer during A-VOYCE summer leadership academy. She and I had both gone through the A-VOYCE program and came back as youth coordinators, facilitating workshops for Asian high school youth about civic engagement, Chinatown history, and activism. Although we had only spent a few months together, we quickly grew close. Cindy is a bright, passionate, and intelligent young woman who I think of as my sister.  

Paul Lee, who also happens to be ACDC’s Board President and a co-founder, created the The Richard and Chou Lee scholarship with his family. Paul Lee, Of Counsel and former Partner at Goodwin Procter LLP in Boston and has served the Asian community for decades, serving on numerous boards and advocating for community needs.  In 2009, Lee was named a NAAAP 100 Leader for his community service and leadership in the Asian American community. Lee, the son of Chinese immigrants, Richard and Chou Lee, presented the NAAAP Boston Future Leaders Scholarship to Cindy Tsang on June 15, 2019. 

I had the opportunity to interview both Cindy Tsang and Paul Lee about the role of community engagement in the Asian American experience.  

Selina Li: Tell me about the community work you have done so far.

Cindy working with A-VOYCE youth as youth coordinator to draw a “river map”- a representation of their life experiences during 2018 summer leadership academy

Cindy Tsang: “In the summer before my sophomore year, I joined Quincy Asian Resources Inc. (QARI) and I worked on their August Moon Festival as a decorations volunteer, a team member during the festival, and a marketing volunteer. After that, I took on a leadership role as a QARI youth representative for two years where I continued organizing the festivals, but more focused on managing logistics for the events.  

I was introduced to ACDC in the summer of 2017, when I joined their Summer Leadership Academy (SLA). I learned a lot about gentrification and urban planning. SLA inspired my independent capstone project where I researched how gentrification in Chinatown impacted the demand for affordable housing in Quincy. 

Last summer, I interned with ACDC to help run the SLA program and I also was elected by my peers to serve as a youth board member at QARI where I mentored other Asian American youth in leadership, helped with civic engagement efforts, and raised awareness about mental health in the AAPI community.”  

SL: Wow, you did a lot in high school! Do you think that your community work in high school influenced your future  aspirations?  

CT: “Working with the community definitely shaped who I am now. Going into high school, I thought I wanted to be a doctor or a nurse, but I realized that I don’t like blood, haha. Being in community-oriented spaces and spaces that empowered youth helped me realize that I really like helping other people and serving the Asian American community. It was empowering to receive mentorship through the programs I joined, to have people believe in me and my potential as a person, as a leader, as a community member. ACDC also introduced me to urban planning and the process of working with the community!” 

SL: What did it feel like to be awarded this scholarship?  

CL: “Just thinking about my growth as Asian American and my struggle with my identity, I used to not be proud of my identity--of being Asian American. But now, I feel a sense of community acceptance and inclusion, and I feel happy that I  am seen  as  a leader.” 

SL: What would you like to say to the Lee family?  

CL: “To the Lee family and to the NAAAP scholarship committee, thank you so much for this opportunity, especially with being first generation and an Asian American woman. It’s really heart-warming and encouraging to know that people believe in me and my potential to be a leader in the Asian American community, and I’m really grateful for all the support and for all the time that everyone spent listening to my story.”  

Cindy Tsang at the NAAAP Future Leaders Scholarship Event with State Representative Tram Nguyen and four other NAAAP scholarship recipients

Photo courtesy of NAAAP website; by Raj Das at ED Photography.

Selina Li: Who is the scholarship named after? 

Paul Lee: “The scholarship was named after my father and my mother, Richard and Chou Lee.” 

SL: Why was there a scholarship fund established to honor them? 

PL: “We created the fund because education was really important to my parents. They recognized that as first-generation immigrants, education was the key to advancing, not only for them but especially for their children. They worked hard towards this goal. My father worked in a Chinese restaurant six days a week, and my mother worked at a sewing factory to put us through school so that we could get an education. That was always the top priority in our family, that the kids get an education. They really helped us do well in our careers. It was really the key for our family to achieve the American Dream. So, that’s why we wanted to honor their memory, we wanted to establish a scholarship fund to help other immigrant families advance their education.” 

SL: Who would you want this scholarship to benefit specifically? 

PL: “Our vision is to support students from an immigrant family--someone who is the first in their family to go to college. It’s also important that the individual is active in Chinatown or another Asian community doing community work. We also wanted to prioritize this opportunity for those who need the financial support, so that the scholarship makes difference in alleviating some of the financial burden.” 

SL: How would you want this scholarship to impact youth? Specifically, first generation Asian American youth. 

PL: “Well, it’s really helping them pay for college because college is so expensive now. If this can give them extra money so they can take full advantage of everything that college life has to offer, then they can really experience the college environment and really grow--that’s how we can help folks.” 

SL: How do you hope recipients of the scholarship use the scholarship in their own lives? 

PL: “I hope that they continue to be active in the community, to continue to look at the needs of the community, and advocate for whatever services are needed. [I hope] that they will be leaders and that they will try to mobilize and rally people. What we really like about the fact that the last few scholarships have been awarded to A-VOYCE youth, is we know that ACDC's program emphasizes leadership and civic engagement. We couldn’t be happier.” 

SL: Why do you think that it’s important, especially in this current political environment and with the issues impacting Asian Americans, that it’s important for youth to have this leadership skill and to be engaged with the community? 

Paul presenting ACDC’s Neil Chin Community Service Award to Pam Eddinger, community advocate and President of Bunker Hill Community College (who is also a Barnard alum!)

Photo by Black Dog Pictures

“When you go to college and you make friends, you tend to do what they are doing. What I would like is for folks to remember that whatever they do--whether they devote their careers to public service or a non-profit service or community service, or if they go into the business or corporate community--that they remember their obligation to the community.  

So, while I was a corporate lawyer, I also did a lot of community work when I had time. That was a little bit unusual because most people in the corporate world, they don’t do as much community work, but that was something important to me. What I hope is that the students who get this scholarship have a successful college experience and come out of it with a renewed sense of their commitment to the community.” 

SL: Do you have anything you would like to say to the youth who are receiving this scholarship, or any advice that you would like to give them? 

PL: “The current and previous recipients have already shown such a strong commitment and dedication to the community. My advice is to just keep doing it--maintain that commitment and don’t get diverted from it. There are a lot of things that you can do and you can definitely explore in college, but also remember who you are and the kind of person that you want to be and hopefully you are the kind of person who wants to help others.” 

Cindy Tsang with Mary and Paul Lee during ACDC’s senior send-off celebration

Photo by Will Ge

Thank you to Paul and Cindy for this opportunity to learn more about both of you and your respective dedication to supporting the community. Congratulations Cindy on your accomplishments! We look forward to continuing to educate and empower youth through our A-VOYCE program, so that they can be leaders in their own community.

The Weight of Chinatown's Streets

Written by Selina Li, her powerful piece is the perfect follow-up to Cynthia Yee’s “Mo Hi: Don’t Look”. Selina’s piece brings us to Hudson Street 30 years after Cynthia’s family was displaced from Hudson.

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My mother is someone who I look up to, knowing all the adversities she has had to overcome. Like many other children of immigrants, I am still trying to figure out how to be a good daughter and make her proud without sacrificing my own agency and personal freedom. 

When I recently dyed my hair, my mother reprimanded me and asked me why I would do such a thing to my straight black hair, which she had always admired. “Because it’s my hair and my body," I retorted back in English. What I said felt like a slap in the face to an immigrant single mother who raised two kids by herself in a foreign country.

To her, “it’s my hair and my body,” negated the sacrifices that she had made to come to America. To her, “it’s my hair and my body,” sounded like “I can make my decisions now.” To her, “it’s my hair and my body,” meant “I don’t need you anymore.”

However, I don’t know how to convey to her that dyeing my hair was not an act of rebellion, but a simple desire for a change. As a 19-year-old college student with no stable source of income, I can’t give my mom a house, a fancy car, and all the things that she deserves. At times, it seems like all I have given her are tears, white hairs, and countless nights tossing and turning.

One thing I can do is to honor her sacrifices and highlight her story; to present her existence to whoever chooses to hear it, and to bear her beautiful soul to the world

This is the story of my mom’s humble beginnings and the story of our Chinatown streets.

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Sometimes you will find the streets of Chinatown littered with old newspapers, empty soda cans, and cigarette butts. You may pick up the distinct smells typical of many densely populated city neighborhoods: urine, cheap oily fast food, and car exhaust. However, the poorly maintained appearance, pungent smells, and unevenly paved sidewalks are not the only reasons why Chinatown streets are sometimes difficult to walk on.

Chinatown streets carry the history of its people--the hopes, fears, and dreams held by thousands of immigrants, like my mother.

Hudson street, for example, had once been home to a thriving community for hundreds of Chinese, Syrian, and Lebanese immigrant families. However, major construction that started in the 1950s eroded most of Chinatown and transformed Hudson. As a result, most of these families were displaced.

Fast forward to the 90s, the Big Dig still casts its dark shadow over Chinatown. Hudson is crime-ridden and most of the land has been barren for decades.

The demolition of East side Hudson street during the construction of the 50s from Chinatown Atlas

“The Big Dig replaced the old elevated Central Artery with a tunnel and reorganized the ramps and interchange around Chinatown.”

— http://chinatownatlas.org/era/1990s-present/

There was no dishwasher, and you can see here that there were only two burners on the stove top.

Cockroaches were all over the apartment, even on the stove tops and sometimes my mother would wake up early in the morning just to kill the cockroaches.

My mother immigrated to America in 1992. Her first home was a small apartment on Hudson Street in Chinatown with a roach infestation problem. The narrow stairways leading up to her apartment usually stained with urine. There was no air conditioning and only two burners on the tiny stove top. During the winter, she endured a stiflingly hot apartment; the old, overworked radiator painted the ceilings black from its debris.

Due to high crime rates in the area, my mother was often scared to walk home alone at night in the dark. “I was shaking,” my mother recalled. Burglars broke into her apartment twice; she would come home to a wide-open door, her money stolen, and carelessly thrown clothes strewn across the floor.

Not only were living accommodations unpleasant and dangerous, like many Chinese immigrants, my mother also had to rebuild her life from scratch.

“又聋又哑”

— meaning "dead and mute"; how my mother recalls her initial immigrant experience

“又聋又哑,” my mother tells me, her eyes brimming with tears.

She used this Chinese phrase, meaning “deaf and mute,” to describe her experience immigrating to America. Because of the language barrier and culture shock, my mother felt that her mouth and ears were forced shut. She could hear people talking to her in English, but she was unable to understand what they were saying or respond back. When she tried speaking English, she would cover her mouth with her hands, embarrassed by the sound of the unfamiliar words awkwardly mingling with her thick Chinese accent. And her deafness and muteness translated beyond communication difficulties.

My mother thought of herself as a baby, understanding little of her new world and her place within it. She had to learn life over again. Because her hometown in China had few cars, she learned to look both ways before crossing the street in Boston. She familiarized herself with Boston’s public transportation system. She experienced the bitter cold and snow for the first time. These experiences were debilitating, confusing, and scary.

So why did she do it? Why was she willing to leave her loved ones, bid farewell to a recognizable environment, and cut off her mouth and ears? “The best thing I felt was freedom,” my mother said. Despite the crumbling and barely livable home, she found small slivers of opportunity, hope, and freedom, which gave her reasons to stay. My mother clung on to the resources that Chinatown offered, crediting non-profit programs as the building-blocks for her American dream. She took ESL classes, obtained her citizenship, and applied for jobs with the help of BCNC. Connected by a powerful thread of shared migrant experiences, my mother forged friendships with fellow immigrants and teachers that still exist today. Slowly but steadily, she formed a new life.

As I interview my mother, she no longer covers her hand over her mouth or tries to hide the pain of her past. Rapidly speaking to me in a thick Chinese accent, my mother is breathless, filling the air with memories and feelings she has contained within herself for 27 years. She runs inside her bedroom to uncover more photos of when she used to live on Hudson street. Days after my interview with her, she still brings up moments of her time on Hudson that she had just remembered.

We live in South Boston now, in a cockroach-free condo with air conditioning, four burners on a stove top, and clean crisp white walls. Her apartment on Hudson street is a distant memory. The fear, ignorance, and loneliness that she had felt no longer defines her.

关惠闲 is a daughter, a sister, a mother, an immigrant, a US citizen and, a survivor. I am proud to share my mother’s immigrant experience--to narrate a difficult and depressing time that she initially felt too ashamed to publicize.

Her story along with many other Chinese immigrant stories are symbols of strength, persistence, and resilience. These stories are about immigration, the American dream, and Chinatown streets. They remind us of who we are and where we came from.

Despite its unassuming appearance, Chinatown streets bear the weight of a thousand powerful immigrant stories, providing immigrants shelter, familiarity, opportunity, and a sense of home in a new world.

“That is why I am honored to walk the streets of Chinatown—the streets of our first home. ”

That is why I am honored to walk the narrow, dirty, and smelly streets of Chinatown--the streets of our first home.

Her story is one of the reasons why I have chosen to work with non-profits organizations that serve Chinatown, like ACDC. Over the last three decades, ACDC has grown to provide new immigrants like my mother with affordable housing, financial literacy, self-advocacy skills and community building—essential skills that can transform lives and enact powerful changes in the community.

Pictured: My mom standing in a snowy Boston Common, getting accustomed to her new life in America.

My mom told me about how someone hijacked her phone line to make international calls, driving up her phone bill to around $2,000. Although she knew little English, her English teacher was able to explain the situation to the phone company and helped my mom avoid paying the fees.

Pictured: Her apartment on Hudson Street.

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Selina is a second-generation immigrant, writer, producer and activist. You can learn more about Selina here. Thank you to Selina for creating this intimate and inspiring piece about your mother’s immigrant experience and how Chinatown became her first home in America.

Special thank you to Selina’s mother for sharing her story—stories that ACDC aspires to honor and contribute to the history of Chinatown. To be surrounded by linguistically and culturally competent hospitals, social service offices, schools and neighbors, helps newcomers overcome seemingly insurmountable challenges—challenges like finding an affordable home and becoming financially stable—that is why our vision is to foster equitable communities that we can all call home.

"Mo Hi: Don't Look"

Writer Cynthia Yee shares another insightful and compelling reflection on Boston's Chinatown in the 1950s and 60s. In her latest piece, Yee gives us an inside look into displacement and Life in the Combat Zone, an area known for once having many adult movie theaters, strip clubs and prostitution, all situated alongside Chinatown, where hundreds of families lived and worked, and where their children played. It took years of hard work from Chinatown residents, activists and politicians to shut down most of the adult entertainment businesses, and make Chinatown a more safe and family-oriented neighborhood. Below is an excerpt. Please note that this work contains some adult themes.

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“ We moved to the Combat Zone, after the Boston Redevelopment Authorities had called my Taishanese America, “urban blight.” That had led to their next story, “urban renewal,” about rescuing us, though we didn’t need rescuing. ”

1974 zoning map of the Combat Zone, Boston Redevelopment Authority

…At thirteen, the City leveled down my quiet childhood home and transformed it into a high speed roadway. We’d moved to a place of neon lights and fast action. We moved to the Combat Zone, after the Boston Redevelopment Authorities had called my Taishanese America, “urban blight.” That had led to their next story, “urban renewal,” about rescuing us, though we didn’t need rescuing. 

When you let someone make up a false story about your life, you give them the power to destroy it. They razed Hudson Street and built a ramp for the Southeast Expressway. We, longtime Taishanese and Syrian immigrant families, scattered to live elsewhere. It was the end of childhood for me and my friends. A stroke of a pen and a swing of a wrecking ball and I’d grown up.

I lived in an alley never touched by sunshine. It stank of urine and decaying trash.  I listened to great bands, going strong, well past midnight. The beats of drums and guitars and the chatter of honky tonk strip joints drifted in the window and lulled me to sleep every night. Prostitutes, pimps, Johns, and cops strolled around my neighborhood.

“It was the end of childhood for me and my friends. A stroke of a pen and a swing of a wrecking ball and I’d grown up.”

Men’s table a birthday party with Cynthia’s uncles, dad, and paper brothers; courtesy of the author

My Dad, his brothers, cousins, friends, and my paper brothers had toiled on their days off from the restaurants, transforming a factory loft into a living space. MaMa stayed in Chinatown, living a full life, close to her Taishanese grocer at the See Sun Company, and her soul sisters, Aunty Cheong Sim, and MaMa’s best friend, Ah-Goo, Gock-Lim’s Ma. Cooking and chatting with friends, the main social activity for immigrant women, sustained them, and therefore, me. 

Women’s table in the kitchen with Cynthia’s paper sister in-law, Ah Goo, nephew, mom, niece and Aunty Cheong Sim; courtesy of the author

The Naked I by Peter Vanderwarker

…The swinging beat of Jerome’s Bar and the Naked I became my teen lullaby. On the front of the Naked I hung a blinking neon sign, two flashing, disembodied, lower legs crisscrossing again and again. Right smack in the middle, a naked eye, between the crossing legs, blinked blue, with long black lashes. The nun at school asked, “What is a pun?” I told her, on Friday nights, I walked past the Naked Eye on my way to the porno house [that showed Chinese films after the adult entertainment]. 

I saw things other girls didn’t.

My Dad called me every night from the restaurant and asked me about my day, what I had eaten for dinner, and if I’d finished my homework. On Saturday mornings, he cooked French toast for me. He talked and listened to me in English. My Dad loved me. I was his American born daughter, his youngest child, the only one of four daughters that he raised. So, why had he moved his beloved teen to a place of sin? “Your mother does not want to leave Chinatown,” he said…

The State Theater, 1967 by Nick DeWolf

…Friday evenings, with fathers toiling on in the restaurants, mothers shut down sewing machines, and stopped their work for the local garment factories; on lucky evenings, they took us to the Chinese movies at the State Theatre on Washington Street, in the center of the Red Light District, on the edge of Chinatown. My friends and I preferred modern romances and kung fu flicks with sticks and swords, and brave, agile heroes and heroines. Our mothers liked the costume dramas, Cantonese operas, with actors in heavy make up, elaborate costumes, and shrieking singing, that we children couldn’t understand. The glamorous people on screen spoke in something close to our country dialect. The musical tones and smooth sounds of Cantonese fed our hungry, immigrant souls, even my American-born one…

…My friends and I ran up and down the aisles of the theatre. Our mothers called us back to our seats, the nudist flicks still running. We sat down and covered our eyes with the Chinese movie program, moving the paper hei kiu [pictured below] up and down, playing peek-a-boo with the naked people. I wondered what those solitary white men, sitting in the dark, thought of MaMa, yelling across the theatre as if she were working in the rice paddies.

Movie scroll or “hei kiu” from Chinatown’s Trans-Lux theatre; courtesy of the author

The American Nudist Colony movie ended at 10:30 pm and just like that, the Chinese movie began. Chinese instruments, Chinese lyrics, Chinese actors and actresses with shiny black hair, dark eyes, flawless skin. Love and betrayal, lovers separated and reunited, courage and honor defended, revenged and redeemed, and always, justice prevailing. We held our breaths when the heroine believed lies, and sighed collectively, when kindness finally conquered evil. 

The Cantonese language of the movies seldom sounded like the Taishanese commands our rural mothers shouted at us, telling us to eat, sleep, behave, and do homework. No words of romantic ardor, no “Slay the enemies for revenge!” had ever flowed from MaMa’s’ mouth. The actresses looked nothing like our busy mothers, and the handsome actors, unlike my English-speaking Dad. Still, the distinctive world of Chinese movies enchanted us…

…Through the curtain, late at night, I heard MaMa telling my Dad, the entire movie plot. I dreamt about the story, and on Monday, it still ran through my mind during class.  Ah Goo had given MaMa a recording she made of a classic Chinese opera. On separate floors, they sang along with the music and sewed late into the night. Listening to MaMa sing and sew, I lay in my bed, gazing at the rectangle hole, framed with stained wood moldings, cut high in the wall, opening onto the kitchen where MaMa sewed. In the distance I also heard the loud music from the Naked I and Jerome's Bar. I slept.

MaMa and her friends called each other, “So and So’s Mother!” I never learned Ah Goo’s name, nor the other Aunties’ names, only that they were “So and So’s Mother.” I called them Elder Aunt, “Ah Moo” or Younger Aunt, “Ah Sim” or “My Father’s Sister, ”Ah Goo,” if their surname was like mine, Yee, though they were not my aunts nor my father’s sisters, in the English sense. This respectful formality created an easy intimacy, Chinatown a big family linked by aunties, uncles, grandmas, grandpas, and paper brothers.

Aside from the white people on film, I saw housewives on television with puffed hair and neatly pressed house dresses; teachers at the American school in orthopedic black high heel shoes; nuns in long black habits with black head veils, strings of beads with crosses around their necks, and ropes with three knots dangling from their waists; ladies in kitty cat smocks selling blueberry muffins at Jordan Marsh; streetwalkers in scanty tops; Johns in trench coats; pimps in cowboy hats, waving dazzling rings; Theatre District patrons in pressed suits and mink stoles. None of my Chinatown friends and neighbors dressed special, and nobody walked around nude! The parade of white folks’ styles along our neighborhood streets and the naked people on screens confirmed our separateness. And no Chinatown folks, young or old, worked in, or patronized the Combat Zone, though we lived right in it…

“And no Chinatown folks, young or old, worked in, or patronized the Combat Zone, though we lived right in it…”

…Chinatown changed, and so did we. Aunty Cheong Sim’s son became a physician and medical director of the first Asian American bilingual bicultural health center in Boston. Ah Goo’s son graduated from MIT and became a radiologist. The two young couples who lived above Aunty Cheong Sim opened popular Chinese bakeries and restaurants, and moved out to rich Chinese enclaves in the suburbs. I became a teacher, teacher trainer, and writer. I sent my family’s story to the governments of the Peoples Republic of China and America. I negotiated with them, with letters, translated in Chinese and English. China allowed my two sisters and their families to leave. America gave them permission to enter. My father sold over the house for $35,000. In 1980, the neighborhood was designated a United States Historic District and our homes were listed on the National Register of Historic Places, requiring special permission for further renovations. Today’s developers price my house at over $2 million, and rent it to young professionals. The police have swept the streets of prostitutes. Poor girls of all races, including girls from China, lured with false promises, are trafficked into massage parlors and suburban motel rooms instead. No loud music flows onto the streets to disturb the cafe and theatre crowd. The porno houses are replaced by high rise apartments…

Eldo Cake House today by Ling-Mei Wong; Courtesy of Sampan

…I walked to Eldo Cake House on Harrison Avenue, where Mr. Yee’s See Sun grocery once stood. The new owners sublet part of the cafe to an herbal store. High rents meant sharing commercial space. A new Boba tea chain has opened next door, with long lines out the door. 

Eldo has gone through two new ownerships, but the ladies at the counter stay the same. Immigrant newcomers, they speak three Chinese dialects and adequate English. Customers lined up, seven days a week, for traditional Hong Kong style milk tea, coffee, whipped cream, fruit filled sponge cakes, steamed and baked buns of all sorts, cake rolls, custard tarts. I walk up the three steps and enter the cafe…

…Min came by with her mop, and a paper. “What does this say, Missy? My eldest daughter gave it to me. She said, ’Look at this, MarMee!’ ‘What’s this?’ I said.”

I took the paper from her. “NATIONAL HONOR SOCIETY,” it read. “It says your daughter is in the smartest group in America. This is wonderful!” Min, smiling, kept on mopping. “I don't mind their business. I don’t know English. I can’t help them with school. I feed them. I tell them: ‘if you’re lazy, you sleep in the street someday.’ My daughter is volunteering for a film festival by the Chinatown Gate today. She’s always running around. I don’t bother her.”

Beneath the bluster and damnation talk, love and pride, Chinatown style…

…Sitting at the table by the window, where Mr. Yee’s jars of salty plums and hawthorn fruit wafers once stood, I sipped the nai cha, slurped the last spoonful of ji ma wu, and ate the rest of the sweet purple yam, waiting for the zhoong and char siu bao, boiling and steaming downstairs.

Sun seen yit lat lat

Delicious.

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Cynthia Yee grew up in Boston’s Chinatown on Hudson Street before being displaced by the construction of the Central Artery in 1962. Cynthia Yee holds an M.Ed. in Early Childhood Education from Boston University and a B.A. in Sociology from Emmanuel College. She taught in Boston’s Chinatown and in Brookline, MA. She was recently nominated for a "2019 Emerging Artist Award in Literature” by the Director of the largest writing conference in North America, “ The Muse and the Marketplace”.

Author’s note:

The State Theatre or the Trans Lux Theatre, at 617 Washington Street, on the site of the Park Theatre, a playhouse in the late 19th-early 20th centuries, became an adult house from 1960 on. Nudist colony footage formed the beginnings of the porno trade. Located in the Combat Zone on the corner of Washington and Boylston Street in the Chinatown/Theatre District, the building was demolished in 1990. The State Theatre, rented Friday and Monday nights by Chinatown merchants to show Chinese movies from Hong Kong, provided entertainment, at an affordable price for immigrant Chinese families, beginning in the 1950s. An upscale furniture store, Roche Bobois stands there now. 

The Beach-Knapp District encompasses a collection of six 19th century buildings in the Chinatown neighborhood of Boston, Massachusetts. It includes two Greek Revival residential structures, 5 and 7 Knapp Street both built in the 1830s. The writer and her family lived at 5 and 7 Knapp Street during her teen years after the demolition of Hudson Street. She and her parents moved out in 1970. The district was designated a United States Historic District and listed on the National Register of Historic Places on December 9, 1980.

The See Sun Company, originally located at 36 Harrison Ave, now the site of Eldo Cake House, was a popular two generation, family owned Taishanese grocery store.

Hoi San dialect (Taishanese), a southern Chinese rural dialect, is similar to Cantonese, but with eleven tones, instead of the nine tones in Cantonese, or the four tones in Mandarin Chinese. Together with a strong singsong rhythm, Hoi San dialect also has unique sounds made by putting the tip of the tongue on the roof of the mouth and blowing, creating the “thloo” sound. It’s a sound not easily mastered by speakers of other Chinese dialects. One has to learn it by age 2 or 3 to get it right. It is an earthy, peasant dialect, often spoken loudly, laced with humor, and great emotional expression. It is Cynthia Yee’s first language and therefore, dear to her heart. 

Taishanese immigrant mothers, raising their American born children, in post Chinese Exclusion Act Boston, often used the filter of “separateness.” This idea was reinforced in many ways, and it helped them to live and thrive in an adverse environment. That said, insularity combined with patriarchy, also created, at times, an unhealthy environment for young girls, young boys, women, and men.

Meet Selina, A-VOYCE alum and ACDC’s new Communications Intern!

My name is Selina Li and I am so honored and excited to be working for Asian Community Development Corporation as the new communications intern. I am a rising sophomore at Boston University, majoring in Media Science and minoring in Sociology.

I am an alum of A-VOYCE (ACDC’s youth leadership program) and I also helped lead the A-VOYCE summer youth program as a youth coordinator. I have an immense passion for community organizing and a strong tie to Boston’s Chinatown.

Chinatown has been the origin point as well as an anchor for my immigrant Chinese family. My mother’s first home when she immigrated to America was a small apartment on Hudson street. I received my primary education, found community, and flourished as a person in this neighborhood. It is from the Chinatown non-profit organizations like ACDC that I have learned the power and strength that reside in marginalized communities. And, from my experience as an A-VOYCE youth, I have seen how organizations like ACDC can cultivate empowering and sustainable environments for the benefit of all community members.

I am looking forward to strengthening the impact of ACDC and serving the Asian-American community. I will help with executing ACDC’s media strategy, assist in building ACDC’s digital presence, and work on strengthening relationships with the media.

 I’m excited to rejoin the ACDC team and continue supporting the community!

Pictured: Me!

Pictured: Me with former A-VOYCE members and ACDC Community Programs Manager, Jeena Hah

Credit to Lee-Daniel Tran/Lee-Daniel Tran Photography

An American Dream Come True

Our matched savings program helps participants increase their savings while teaching them important financial literacy skills and habits. Our homebuyer matched savings program has 10 participants who each save money into a designated account every month. At the end of the 18 month program, ACDC matches their savings up to $1,800. Along the way, participants meet with our financial education counselors to learn how to effectively budget and save, build their credit and gradually reach their financial goals.

This is the story of Fan who completed the program and purchased her first home.

“I came to the US in 2013 with my husband and daughter who was just starting high school. I work two part-time jobs as a massage therapist and my husband is a chef. We used to live in a basement apartment which was cramped and humid. 

One day, the fire department came to perform an inspection and we found out that our apartment was not legal for renting out. My landlord tried different things to improve the apartment, but I knew that we needed to find our own place. 

Following the advice of some friends, I attended a first-time homebuyer workshop with ACDC and started to think about the possibility of owning our own home. I learned about the different mortgage opportunities for low-income families. I still had many questions, but after speaking with Lee, I knew that I needed to have a solid plan in place before I would be able to buy a home.  

I was excited to join ACDC’s matched savings program last year. Through the program, I met one on one with Lee. Lee helped me put together a financial plan that helped me to put together a regular budget. I learned how to read my W2 form and the importance of tracking my income taxes.  

During the workshops, we learned the importance of paying my credit card balances every month and to check my credit score regularly. I also met with other people who were in a similar situation as me and were saving money for a home. I was inspired when another participant was able to buy her first home and I was hopeful that I could do the same. 

Finally, I found a 2 bedroom townhouse that was perfect for my family. Lee worked with me through the entire process. After looking through the details of the initial bank loan, Lee told me that the loan was a very high interest rate and we realized that the mortgage amount would not be enough for the townhouse, so I was disappointed to give up on this house. 

However, Lee was able to find a different bank to me that provided down payment assistance and that was able to provide a higher a loan amount. The down payment assistance, combined with the matched savings from ACDC, was perfect for me. 

In August, I finally moved out of the basement apartment and into our new home. My new house is very comfortable, and my mortgage payment is actually lower than the rent in my basement apartment. I am very grateful for ACDC’s help, providing me with financial education as well as valuable information about buying a house. I believe that the financial skills that I learned will continue to help me for a very long time.”